Wednesday, 19 June 2013


In-Shoot Specifications

Aperture: F11
Shutter Speed: 1/60th of a second
ISO: 800
Location: MC Tech Department, Middlesbrough College
Date: 16/5/2013

I began editing my photos by opening Adobe Bridge; I shot all photographs in raw this would allow me to tweak the images first before opening them in Adobe Photoshop.  It was then time to grade my images under the filter tab option. I first graded all potentially useful images with a 2 star rating.

I then clicked the drop box containing all of the images I had graded. I reviewed my images again and applied a 3 star rating to a total of seven images.

In post-production I cropped three images, this was due to unnecessary appliances or lighting cans that were included in the shots, however this was only the case with two of the seven photographs. Another factor may have been incorrect composition I had noticed that the rule of thirds could have been applied more effectively with one or two of the images from this shoot. I altered each image carefully and tried to balance an equal amount of both portrait and landscape shots that I could include in my final A3 mounted montage. 

Adobe Bridge Management Software

Adobe Bridge helps you to manage your images in post-production.  In the drag and drop era, it acts as a useful file save log, it organises all your material into your own photo library.

  • Renaming: Once all of your photos are uploaded you can select a selection of your images then hover over the 'Tools' tab then click Batch Rename. A 'Batch Rename' box will appear this will help you save your photos to a destination folder. This will allow easy access to your images.

  • Grading/Filtering: Once your photos are saved you can begin to filter your images by grading each frame; the best way to do this is to grade first by 2 stars from the series of shots you have taken. Then you can begin to grade your images by 3 stars and so on, this way you can extensively review your catalogue of images, grading their potential for publication.

  • Rotating: Rotation in Adobe Bridge allows you to rotate an image by 90 degree a turn, but you can also select the 180 degree option to rotate your images further.

  • Contact Sheets: Creating contact sheets are a useful way to view and share your shots later in a PDF (portable document format). In Adobe Bridge CS6 you start out by selecting a series of images or a folder containing a series of images then from the menu select Tools and then Photoshop then Contact Sheet II. This will automatically open Photoshop a dialogue box will open this will help you specify your images, the width, length and height of your contact sheet and also the image resolution, mode, bit-depth and colour profile. Underneath these options there is a box titled 'Flatten all layers' that will already be ticked, this is because of its default automation, which will include the text below the images to remain in one layer. If you wish to keep your thumbnails and text separate, then deselect that option. Under the Thumbnails option you can also alter how many images you want to appear in each row and each column. You can choose to save the specifications under save and then load them later, without going through the process again. Once you're done you should click open and Photoshop will automatically transfer the images onto a single canvas, if the images do not fit onto one page, then Photoshop will automatically create more pages.

  • Slide Shows: You can create a slide show using a script included in Adobe Bridge CS5 onwards named 'Web photo gallery'. You do this by selecting your images or folder and then hover over window then workspace then click the Web Gallery button in the Output selection. Once selected a template menu will appear, you can make any alterations with colour scheme, and select a thumbnail size. After making alterations you can preview your gallery, you can also save your settings by clicking the Save Style button. You can then publish your gallery on the web, enter an FTP address (file transfer protocol) then enter a username, password and folder destination then finalize it by clicking upload.

Friday, 18 January 2013

Different applications of Photography

There are many different applications of photography within this report I will explain the following applications of photography and their purpose and origins.

  • Music Photography
  • Documentary Photography
  • Landscape Photography

Music Photography

Music photography first rose to fame after the progression of the big-band explosion of the 1930's music started to take shape in different forms taking influence from blues, jazz and swing the newly famed Rock n Roll of the 1950's was born. New and exciting recording artists like Buddy Holly and The Crickets,  Chuck Berry, Muddy Waters, Chet Baker and more importantly Elvis Presley were being photographed and were becoming the role models of a new generation. Subcultures such as the Teddy boy movement were becoming more prevalent both in the states and then the United Kingdom. After the fame of Hollywood stars such as Marilyn Monroe, James Dean rock stars were becoming just as popular as movie stars if not more.  

By the 1964 Beatlemania hit and The Beatles pop-rock song writing reached a level of hysteria never seen before, other subcultures of Rock n Roll were emerging from the raw rooted American garage rock of The Sonics, The Seeds and The 13th Floor Elevators to the Psychedelic Rock of early Pink Floyd, Cream and Jefferson Airplane. 

Probably one of the world's first music photography professionals was the British photographer Mick Rock. His work with David Bowie (Ziggy Stardust era) in the early 1970s was the introduction to such iconic imagery that would follow in Rock's work. He went on to photograph iconic photographs that featured on many classic LP sleeves, these were famous images for Queen, Syd Barrett, Iggy Pop and The Stooges, Roxy Music, Talking Heads, The Ramones and probably more importantly Lou Reed.

The photograph below was taken for the LP sleeve 'Transformer' (1972) you can see the image has been printed using high contrast paper and shot in black and white.

Mick Rock's earlier LP sleeve shoot was for Syd Barrett's 'The Madcap Laughs' for this shoot he commented on the equipment he used "It was a black Pentax and I used 28mm wide-angle Soligor lens which was quite a cheap lens. Later on I sold it to Roger Dean who did the Yes LP covers and lived upstairs above my flat in Egerton Court" 

A picture from 'The Madcap Laughs' photo-shoot

The industry is over saturated and there is an endless list of photographers in this field, the advantages to this are that music photographers are always looking for underground movements and up and coming credible artists to find and uncover. The disadvantage to this is, there probably isn't a lot of money in this particular field of photography not unless you are commissioned by the artist or venue/festival proprietors.

Music photographers need to apply specialist techniques depending on a subject's environment, this will depend on the size and lighting of a venue for an event. For example if you were shooting in a small indoor venue during a live performance, the lighting is most likely going to be poor, you should use your initiative to compose the shots. Taking photos from a compact digital camera is usually favorable in this part of the industry. It is also preferable to get up close and personal with your subjects. Possibly from the center or center-left of the audience, most photographers use the reflection from the PAR cans or LED lights this will help to capture the shots with sufficient lighting. It is often preferred to use a camera that takes images clearly in a low lighting environment. This will leave you with some scope to touch up and edit photos in the post-production stages using Adobe Photoshop. Its also useful to find a camera that may also feature a good zoom that retains quality when pushed to its maximum capability, this is used more frequently for performances in bigger venues.

Documentary Photography


'Tobacco Harvesting' - (2002) Manuel Rivera-Ortiz 


Documentary photography is a style of photography that holds more importance to historical and cultural events and social awareness rather than one's personal and artistic pursuit however the lines may become blurred. Documentary photography derived from the honest truthful photojournalism of the early 20th century. It also often objective and portrays maybe horrid and cruel circumstances world conflict as well as harmonious and memorable commemorations.

Documentary Photography first surfaced after the documentation of the American Civil War, this is seen as a necessary port-of-call for investigative journalism often experiencing devastation, near death experiences and living alongside soldiers for long periods of time this has been concurrent through numerous generations. In the early 20th century documentary photography was used as a vehicle for social reform, for example in 1910 over 2 million children were employed in the United States. Photographs emerged in the 1910's from the now famous photographer Lewis Hine who shocked the world with his photographs of child protesters, protesting child slave labour in New York City. Hine stopped working as a teacher and while working with the NCLC (national child labour committee) helped petition and put forward essential legislation that permanently ended such unethical practises in the western world. He also documented the work of relief workers of the American Red Cross after World War I. Unfortunately Hine didn't live a prosperous life and did not enjoy success its because of this that for the rest of his life he was poverty stricken, he died in his 60's with no house of his own while claiming welfare.

Dorothea Lange was an important influence in documentary photography she was educated at Columbia University and New York City she is probably best known for documenting the Great Depression during the 1930s post World War I. Her work often retains some deep artistic and social credibility her most famous piece of photography most probably being 'Migrant Mother' (1936).  The subject of the photo is a mother named Florence Owens Thompson the mother of seven children, at the time of the great depression she was pea picking, living off frozen vegetables, fruit and dead birds her children had killed. Later the women who acted as the subject of the photograph Florence Owens Thompson was identified forty years after its publication, claimed she didn't receive a penny. Once the photograph was published it was then disseminated into the public sphere. This then sparked social awareness on the extreme circumstances of the depression and the U.S. federal government donated $20,000 worth of food to the pea picker camp. This was the campsite where Thompson's photograph was taken. However by this time Owens had moved location, and didn't receive the donation. 

'Migrate Mother' - (1936) Dorothea Lange


Thereafter she worked as photographer for a number of social humanitarian organisations and government bodies. These included The Farm Security Administration and the War Relocation Authority.  Dorothea Lange founded photography magazine Aperture alongside Ansel Adams who also invited her to work alongside him as a tutor within the first ever fine art photography department, at the California School of Fine Arts.

'A lone anti-war protester confronts Metropolitan Police in Whitehall during the Cuban missile crisis' - (1963) Don Mcculin

Other notable documentary photographers and/or photojournalists are Bill Brandt, Berenice Abbott, Robert Frank, Walker Evans and the honoured Don Mccullin I visited his 2010 exhibition at the Imperial War Museum in Salford, Manchester which I thoroughly enjoyed.

Bill Brandt, Northumbrian Miner at His Evening Meal


'Miner at his evening meal' - (1937) Bill Brandt

In Mccullin’s recent press interviews he stated he uses 28mm and 135mm lenses with 35mm SLRs, equipment has evolved to this point, but theory is also important in the practise of photojournalism. It is important to capture the moment, something that will inform people, raise awareness or challenge unethical issues, this is often subjective but thought provoking, and in the 20th and 21st century documentary photography has acted as a visual component to social reform.

From a technical standpoint composition plays a big role in documentary photography, they will place the centre of interest carefully by using the principle of thirds. This is where the centre of interest will be placed in the geometrical centre of the framed shot. However photographers will usually bend the rules in order to capture the image. Surroundings in documentary photography are ever-prominent and work as a case point especially when recording war and world conflicts.

The advantages to this medium of photography would be world recognition, social reformation, courage and an affiliation with the journalistic truth. The disadvantages otherwise would be the threat of danger, injury, capture under governments that are governed by dictators, legal issues and death.





Landscape Photography 

Landscape photography emerged during the 20th century it often favours various compositions, including vacuous, long expanding perspectives found on highways or mountain roads, to close up images of ravines and sand dunes. After the shift from realism to pictorialism, landscapes had become a favoured subject for many innovative photographers these innovators were Huge Henneberg, Francis Frith and the Alinari brothers of Florence.

Post World War I was a post-watershed era after political, social and economical reformation consumers were starting to favour progression in favour of tradition. Modernism changed everything about landscape photography and aesthetic value was becoming advanced, instead of using soft focus photographers were now favouring red filters and experimenting with 35mm colour reversal film.

Nature often with the expulsion of man made landscapes became the main principle. San Francisco artists formed a group named Group F/64 which consisted of a list of San Francisco based Landscape photographers, this movement shared an aesthetic experience with the viewer, something that was not just merely a reflection of what was in front of them but an experience or feel of that mood or time the photographs were taken. The photographers who operated in this movement were Ansel Adams, Imogen Cunningham, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke, Edward Weston.

Ansel Adams is still to this day known as the godfather of Landscape Photography, he often favored using a dark red filter, he discovered its versatility during his shooting of Monolith, The Face of Half Dome, Yosemite National Park, California, 1927 when he was 25 years of age. He began shooting this subject using a yellow filter but it didn't properly convey the visual image in his mind's eye. He stated on his memory of shooting the photograph "I saw the photograph as a brooding form, with deep shadows and a distant sharp white peak against a dark sky.". He realised he needed to use a deep red filter, the filter reduced the light to a factor of 16.

'Monolith, The Face of Half Dome, Yosemite National Park, California' (1927) Ansel Adams

Another prominent British landscape photographer was Fay Godwin who enjoyed taking photographs during long leisure walks across moorland and other quintessentially British landscapes.

'Reedy Loch abother Strathan' - (1985)  Fay Godwin

The advantages of landscape photography would probably be  its modernization as it allows artistic freedom where due, it is also one of the biggest money making mediums in the photography industry. The disadvantages to landscape photography would most probably be the competitive nature of this field of photography, which means not a lot of people in this particular part of the industry do successfully make money from their artistic ventures.  It is also common even for the most credible landscape photographers not to have any previous formal training or education. Landscape photographer often take up this form as photography as a passionate hobby of theirs that they in turn become obsessed with.

It is very important for landscape photographers to experiment with their compositions, some may stick to a conventional approach whereas others will disregard it in order to further their idea. Some common landscape photography techniques include careful planning i.e. shooting at the magic hour usually early on a morning or late on an afternoon, polarizing filters and depth of field.


Friday, 16 November 2012



The Principles of Photography

The history of photography is a prevalent one; it is arguably art that brought us photography. Through the ages illustration had shifted to bring us more realistic and refined imagery, paintings that featured third dimensions as opposed to only two, extremely diligent and painstaking illustrations. The progression can be seen clearly in art, starting from the Medieval Art period of 400-1400 AD right up until The Flemish Art period of 1600AD.

Camera Obscura
The camera obscura was first established by the Chinese philosopher Mozi (Mo-Ti 470 to 390 BCE) he was also the founder of ‘Mohism’. He referred to this device in his writings as the “locked treasure room”. Other prominent figures that identified the principles of the Camera Obscura were Aristotle, Theon of Alexandria, Roger Bacon and Leonardo da Vinci.

The camera obscura is an optical device which consists of a box (or chamber) with a hole in one side, light from the chosen external surroundings will filter through thus projecting a reversed image on the wall with color and perspective it is clear, the smaller the whole the sharper the image. Some practical users of this device today use a lens as it allows a larger aperture. The device is said to have been perfected by Giambattista della Porta and said to have been used by fine artists Johannes Vermeer and Canaletto. Although there is evidence to suggest this, as it is only stipulation due to the dimensions and perspective of some of their paintings.

Nicephore Niepce

The first public announcement of the world’s first photograph was widely believed to be that of Louis-Jacques-Mande Daguerre's in the summer of 1839 however the photograph was first discovered by Nicephore Niepce in 1825.

Niepce began experimenting with photogravure etchings and lithography in 1816. Some years later he attempted to use the camera obscura to develop a photo-picture, he called this
heliography which means “sun drawings” by combining the physical and chemical elements he would invent a photograph.

These findings of Niepce’s resulted in the world’s first ever photograph was entitled “View from the Study Window at Maison du Gras – June/July 1826”

This set the standard for the future of photography and over the next century, many inventors and innovators had pushed to advance us to the plate camera which were made up of dry plates, these cameras were popularised quickly especially by the 'pictorialists'. Thereafter film had developed to celluloid and Kodak brought us the black box camera a model of which is still used today by analogue photography enthusiasts. Soon after 35mm cameras were introduced and were seen as handy portable devices that weighed much less and were easier to handle. Years later analogue tried to go electronic but this concept did not truly bloom until true digital technology was discovered then refined, thus resulting in today's TLR's (Twin-lens Reflex Camera) and SLR's (Single-lens Reflex Camera).

Composition Theory

Fibonacci Sequence

The Fibonacci sequence first surfaced as a visual component in nature but overtime the Fibonacci Sequence has since been adopted as a form of photography composition. It was first discovered by its patenter italian mathmatician Leonardo Fibonacci and was made public in 1202 in a book of his 'Liber Abaci'. The sequence starts off with 0 and 1 then each subsequent number is the sum of the previous two numbers. The Fibonacci Sequence also occurs in biology and nature, it is ever-present in the arrangement of leaves on stems of flowers, branches on trees, the sequence was also once stipulated to exist in the breeding of rabbits or the breaking of waves but this has since been disproven. With the Fibonacci Sequence came the Golden Ratio also known as the divine proportion. This is where the sum of the quantities to the larger quantity is equal to the ratio of the larger quantity to the smaller one. An overwhelming list of 20th century artists and architects have designed in proportion to the approximate golden ratio of 1:1.618. it can be found in examples of architecture and culture all over the Parthenon. This method was adopted because it is seen as a universally efficient way of drawing in the viewer.

File:Aeonium tabuliforme.jpg 

example of the golden ratio in nature, Aeonium Tabuliforme.

It has been said to have been used by Leonardo Da Vinci, Apple Mac and even Twitter to create their home page. You start out by gridding an image into 9 intersections, the bottom and top being a third of the way down and a third of the way up, the middle intersection marking the center line. Here is an example, an image of a horse that has been divided using the golden ratio tool in Lightroom.

In the above example, the slightly more dominant eye of the horse is corresponding with  one of the PHI intersections.

Rule of Thirds

The rule of thirds proposes that an image be divided into 9 equal cells, this is marked with two individual horizontal lines and two individual vertical lines. It is widely believed by proponents of this technique, that by using the rule of thirds it creates more tension and interest where the subject is concerned as opposed to simply centering the subject with the point of interest approach to composition.

 Photographers who utilize this technique will align the first horizontal line with the subject's eye, where the landscape is concerned photographers will commonly align the horizon with the top of bottom line of the center intersection. When photographers use the rule of thirds, they are marking the point of interest, this creates a more natural perspective for the viewer as opposed to simply centering the shot, this can also help to create more than one point of interest.


note how in this image, the man's expression works as a point of interest as well as the flower
on his blazer (the second point of interest)

Wednesday, 14 November 2012

Recent Developers

Jan Saudek


Jan Saudek is a Czech born art photographer, he has gained a reputation for controversy. Saudek's work is often full of sexual and violent imagery often containing political metaphors. The majority of his work has fell subject to censorship attempts in the west particularly during the 1990s. Saudek's work retains sensibility and some of his work has been used in popular culture especially that of album covers (The Beautiful South etc).

Saudek hid from the communist police early in his career to continue to work out of a cellar. Saudek might shock most people, but I find even some of his more alarming images very impressive both conceptually and visually.

Lauren E. Simonutti

Lauren E. Simonutti died this year after complications with her mental illness, during 2006 she started hearing voices and was diagnosed with "bipolar with schizoaffective disorder". Through her photography she transcribes these periods of isolation and depression through her cleverly composed images. She worked exclusively with film but does not rule out digital photography. The following quotations are taken from an internet e-mail with Simonutti published on Lens Culture.

"As for my working technique: All work is 100% digital free. Any manipulation has been done either in camera (occasionally), or in darkroom (usually).

Let me clarify that I have nothing against digital. I do not desire to disparage, denigrate or disrespect it. I simply prefer to get my hands wet." - Lauren E. Simonutti 

Simonutti struck by her illness remained isolated for the last few years of her life. There's a real Sylvia Plath feel to her deteriation, she is both poetic and artistic, this can be seen in her writing and also in the other-wordly body of work she left behind. Simonutti wanted to capture her mental deteriation, she commented further on this "I have reached the point where if I do not have a photograph of something I cannot be certain it happened. So, locked inside the house with nothing else left, I shoot this. Heart & mind, hallucination & dream. I figure it could go one of two ways — I will either capture my ascension from madness to as much a level of sanity for which one of my composition could hope, or I will leave a document of it all, in the case that I should lose." - Lauren E. Simonutti

Her dark introspective work and tragic ending to her life is intruiging. I find her work eerie, I can see a real victorian influence and  I particularly like her use of colour tone and composition. Simonutti's preferred palette was sepia, silver bleach and selenium. All of which were applied by hand using brushes, sometimes these tones were applied incorrectly, as she known herself to spill chemicals while developing photographs.   


Fine Art...

"Artistic photography": "A frequently used but somewhat vague term. The idea underlying it is that the producer of a given picture has aimed at something more than a merely realistic rendering of the subject, and has attempted to convey a personal impression"

Fine art photography emerged during the early decades of the 20th century.

Pictorialism of the 19th century had been highly popular right up until the establishment of sharp focus photography during the 1920s. Its popularity was starting to gain some recognition through landscape photography, this development helped create more intense atmospheres.

Alfredo Stieglitz 1924-1946

'The Pool Deal' – Alfredo Stieglitz (1910)

Alfredo Stieglitz was an important indictment into fine art photography, originally a pictorialist photographer, Stieglitz had a distinct style and he manages to capture the mood of a photo often involving the aesthetics of his surroundings or finding the central point of an image with ease. By 1924 Stieglitz was beginning to exhibit his work and share writings in order to support photography as an artistic medium. In this same year the Boston Museum of Fine Arts obtained a collection of 27 of his photographs. This was the first time a museum had included photographs into their permanent collection. He predominantly used a plate camera the 8x10 deardorff.

Ansel Adams 1902-1984

Ansel Adams was born in 1902; he was born into an upper middle-class family. His maternal grandfather owned a successful freight-hauling business but the investment of his hard work in this business was later wasted in failed real estate ventures in Nevada. Adams always pursued his hobbies and interests with great detail his first being the piano but after a love for photography Adams made this his primary hobby. His Father bought him his first camera a Kodak Brownie Box camera. The camera was basic and its film was inexpensive it introduced the concept of 'snapshot' photography. The first lines of photographs published from Adams were in the early 1920s. In the mid-1920s he started experimenting with soft focus etching and further pictorial photography techniques.

As a member of the Sierra Club, Adams travelled extensively in the 1920s and on one occasion he took a month long high-trip to practice capturing the landscape. From this he produced a portfolio entitled 'Parmelian Prints of The High Sierras' which were released in 1927. These photographs were one named "a landmark in twentieth-century photography".

In this period Adams used his Korona view camera using glass plates and a dark red filter
during the 1930s Adams work started to flourish, he was able to stage his first solo exhibition in 1931 at the Smithsonian Institute. He took on many commercial assignments during this period and used most of it to fund the struggling Best's studio.

At the turn of the 1940s Adams was fronting workshops in Detroit and 1941 began teaching photography at Art Center School of Los Angeles. These opportunities afforded him better equipment and more resources for his following photography projects. In the coming years Adams work came to be celebrated, his imagery making its way into people's living rooms.

David Hockney (1937-Today)


David Hockney was born in Bradford, England in 1937 he studied at both Bradford College of Art and the Royal College of Art in London. Hockney’s work is multi-directional his early work touching on expressionism, he was also a popular and important figure of the ‘Pop Art’ movement of the 1960’s. He then went on to incorporate surrealist elements to his work, instead of painting using photography. He did this by using different perspectives after cutting up Polaroid photographs. Hockney created a point of view perspective which makes the viewer feel as if you’re in the room with him. His series of photomontages span throughout the 1970’s till the mid 1980’s he referred to these years as “The joiners” some also believe there is a cubist influence to this particular series of work.

Robert Mapplethorpe (1946 – 1989)

Robert Mapplethorpe was born in 1946 in Queens, New York. He came from a respectable suburban middle class background.

When Mapplethorpe was 17 he enrolled to Pratt Institute in nearby Brooklyn, it was there he studied drawing, painting and sculpture, during this time Mapplethorpe was influenced by the work of Marcel Duchamp. Because of this he experimented with different multi-media techniques often favouring collages. In 1970 he started using film more frequently and by 1973 he favoured using a Polaroid camera, his interest in Polaroid film led to a solo exhibit entitled ‘Polaroid’s’ that same year. Thereafter he acquired a Hasselblad medium-format camera which he used to photograph close friends and associates which included an array of artists and composers. During the late 1970s Mapplethorpe involved himself in the S&M scene in New York. When this work came to exhibit some people described it as ‘shocking’ and ‘obscene’. His intention was to document this subject as he seen it was his obligation to photograph these people. He was always looking for something he hadn’t previously seen before. Throughout these years his work began to fluctuate and had even gained a reputation overseas, resulting in his collaboration with Documenta 6 in Kassel, West Germany. During 1978 Mapplethorpe’s work was chiefly dealt through the Robert Miller Gallery in New York. During the middle-period of his career his work did attract controversy, due to its blatant homoerotic imagery.

During the 1980s Mapplethorpe’s focus shifted from figure studies to figure studies with aesthetic value. This included stylized/sexualized male portraits and still life flower photography. His work was produced using 20”x24” Polaroid prints, platinum prints on linen, cibachrome and dye transfer colour prints. Just after the mid-1980s Mapplethorpe was diagnosed with AIDS however his work excelled, he continued difficult commissions and staged a solo exhibition just before his death entitled ‘The Perfect Moment’ during the summer of 1989, the exhibition was curated by Janet Kardon of the institute of Contemporary Art. It was this very exhibition that garnered controversy since it upset members of the U.S. Congress which prompted conservatives to question the tax dollars that commissioned this body of work. This is an argument that is still on-going with censorship, however one could believe it would restrict the academic mind when using Mapplethorpe’s work for educational purposes. Mapplethorpe’s use of aesthetic still life and formalities made for unique compositions that challenged authority and censorship on art photography.

Bill Brandt 1904-1983


Bill Brandt was a German-British photographer and photo journalist. He later disowned his German heritage due to the fact he grew up during World War I and lived throughout World War II. Brandt clearly felt some animosity towards the Germans this even lead to him claiming that he was born in London, England. Brandt spent most of his childhood in a sanatorium in Davos, Switzerland, as he had contracted tuberculosis. He then travelled to Vienna where further psychoanalysis treatment began for Brandt. He was eventually pronounced cured and released thereafter. Brandt was something of a documenter, starting from 1933 once he moved to London; he started to document all classes, creed and manor of British Society. During this period he published two books showcasing his work ‘The English at Home’ and ‘A Night in London’. He was also published in several British Publications.

Andreas Gursky



















'Kamiokande’ – Andreas Gursky (2007)

‘May Day II’ - Andreas Gursky (1998)

Andreas Gursky is a fine art photographer and visual artist. He was born in Leipzig, Germany in 1955 coincidently a son of a commercial photographer. His bold, colorful and all-encompassing style is very distinctive; Gursky also holds the record for the most expensive price paid at an auction for a single photographic image. The image ‘Rhein II’ sold for a reported $4.3 million (£2.7m) making it the most expensive photograph ever sold. During his early 20s, Gursky studied photography at the Folkwang School (West Germany’s leading establishment for professional photographers).  This had a huge impact on his early compositions this was mainly due to the curriculum’s focus on straight-shot techniques of photojournalism. During the early 1980’s, Gursky studied under the internationally recognized photographers Bernd and Hilla Becher at the State Art Academy. The Becher’s are best known for their industrial based concepts, depicting industrial builds and structures. This had a profound influence on him; when looking at his work I find rhythm, emphasized colour and wild imagination (in approach to composition). I also find the subject matter changes frequently portraying differing content. From the stock brokers of the financial sector found in the stock exchange, to the trance and drug ridden rave parties of Amsterdam. Andreas Gursky is a marvel of photography and not to be forgotten.

A definitive example...

Insomnia- Jeff Wall (1994)

This photograph taken by Jeff Wall in 1994 is a good example of fine art photoraphy as an artform. Wall fills the image from corner to corner with content, notice how the cupboard doors are slightly open, appliances and furniture all placed oddly, gives an unsettling feel. The subject laid on the kitchen floor appears to be suffering from his mental state. The colours are balanced well and the contrast from light to dark are very extreme, the shadows in the image appear to be blackened completely. Over Wall's career spanning from the late 1970s, he has referenced fine art and took influence from classical painting, in terms of composition you can see how he has been influenced by
recent and contemporary artists, Marcel Duchamp, Diane Arbus, Bill Brandt and more recently Adreas Gurksy.